Leaving Certificate 'Drama, Film and Theatre Studies' Teachers Resource

Senior Cycle Resource Pack

Did you know the new Leaving Certificate ‘Drama, Film and Theatre Studies’ curriculum is coming onstream? As the experts in schools media training, we want to help you get your head around the various changes. That’s why we’ve created a super intuitive easy to use interactive guide.  

You can download the resource for free, or get in touch if you’d like to enquire about our new workshop which is tailor made to align with the goals and learning outcomes of the new curriculum.  

Get the Resource Pack

The ‘Need-to-Know’ Points

1

Around 40 schools will be selected to be in Phase One in the 2025/26 school year.
2

The specification is set out in 3 interconnected strands, to be studied concurrently, not in a linear order.
3

The course is designed for a minimum of 180 hours of class contact time.
4

There is a written assessment and a 'Creativity in Practise' Component.
5

Students will complete a series of Applied Creative Tasks.
6

The Creativity in Practise project will be based on a common brief issued from the SEC with an allocation of up to 25 hours.
7

Students will engage with a wide range of participative activities, which will be captured within a Portfolio.

The Three Strands Overview

The Leaving Certificate Drama, Film and Theatre Studies specification is set out in three interconnected strands:

  • Creative Process
  • Critical Response Process
  • Applied Creative Tasks

All three strands are interwoven and should be studied concurrently, not in a linear order.

STRAND 1
Creative Process

The creative process is intended to support students’ understanding of the iterative nature of making any piece of film or theatre. Engaging with a range of sources will be a key part of the creative process.

STRAND 2
Critical Response

In this strand, students learn to develop and articulate their own considered personal and critical responses to the work of established practitioners. They engage in a process of critical response as they interact with artistic and creative works from the world of theatre and film.

STRAND 3
Applied Creative Tasks

Students will be expected to engage with a wide range of participative activities supporting an inquiry-based approach, much of which will be captured within a Leaving Certificate Drama, Film and Theatre Studies Portfolio, developed by each student.

About the Senior Cycle Workshop

We’ve created an engaging, interactive workshop for Senior Cycle students to align with the core principles and strands of the NCCA Draft Leaving Certificate Drama, Film and Theatre Studies specification. This workshop will cover many of the core principles as well as an onsite practical project where students will create media content for their portfolio. 

How are movies made?

Students will learn about the crafting of a successful film, digging deep into the technical and creative voyages, involving talented cast and crew all with specific skill sets collaborating in pursuit of a storytelling shared vision.

From ‘a little’ to ‘a lot’

Everyone knows a little bit about film production; what an actor is, what a director does, what a movie trailer is. By the end of this workshop students will know a lot. They’ll get exciting behind the scenes insights on what film people actually do – actors, directors, editors, composers – all the key people who help bring picture to life.

Production roles in practice

To really understand these roles you need to put them into practise. Students will get hands on practical experience and creative group work in our purpose built mobile recording studio learning the skills of an actor, editor and composer on their very own mini film production.

Click Here to View Course Demo

Our workshop is designed to align with many of the relevant learning outcomes from the draft guidelines:
  • CP1a. generate ideas for creative projects.
  • CP1c. discuss a variety of roles and responsibilities in film and theatre.
  • CP1d. explore the impact of these roles, their contribution to the overall creative process, and relationship with one another.
  • CP2f. assess the options for deciding on approaches to the initial design phase of a creative project.
  • CP2g. develop a collaborative, ethical and creative learning environment.
  • ethical and responsible practices associated with creating pieces of film and theatre.
  • CP2i. identify and suggest the necessary pre- production materials required for their creative project. CP2j. develop appropriate pre-production materials for the project.
  • CP2k. experiment with the various creative and technical elements to support the creation of work.
  • CP4o. employ the various creative and technical elements required to present the final piece of work to an audience.
  • CP6t. suggest and record insightful and constructive reflections on their own work and the work of others using elements of the critical response process.
  • CRP3h. identify commonly used theatrical and cinematic features, techniques and conventions in the work of individual practitioners within particular genres. CRP3i. evaluate the aesthetic and/ or technical features of a piece of theatre or film.
  • CRP3j. discuss a range of technologies/ technological developments that have influenced the development of theatre and film over time.
  • ACT 2.1 develop, record and edit a film sequence through collaboration.

Teaching and Assessment

Leaving Certificate Drama, Film and Theatre Studies is student-centred in its design and emphasises a practical experience for each student. Learning in this subject needs, as far as is possible, to be applied to creative activities and, while students will sometimes exercise creativity alone, in general, the creative act will be a collaborative endeavour.

The subject supports the use of a wide range of teaching and learning approaches. The signature pedagogies of the Drama, Film, and Theatre Studies classroom will be those that foster critical thinking, creative thinking and creative practice.

Prescribed Materials

Below are the prescribed options for the Film element of the curriculum. Schools select one focus of study from the prescribed film list and one focus of study from the prescribed drama/theatre list.

AN CAILÍN CIÚIN
directed by Colm Bairéad (2022)

GENRE: European Art Cinema

JAWS
directed by Steven Spielberg (1975)

STYLE: The directorial style of Steven Spielberg

PAST LIVES
directed by Celine Song (2023)

GENRE: Romance

TÓRAÍOCHT
The 2018 performance by Fíbín sa Taibhdhearc
(playwright: Philip Doherty; director: Mikel Murfi).

STYLE: Use of non-naturalistic production elements

MOSQUITOES
The 2017 performance by the National Theatre, London

STYLE: Non End-On Theatre Staging

THE SHADOW OF A GUNMAN
The 2023 performance by Druid

GENRE: Tragicomedy

Students must also explore a selection of extracts, scenes and/or clips from at least one film other than the prescribed film and at least one piece of theatre other than the designated theatre piece.

Unprescribed Area of Learning  

In Area 2, students and teachers will chose an unprescribed focus of study (genre, period, style or form) in film. They will also choose a focus of study in drama/theatre. In each field the focus of study chosen for Area 2 should be explored through the use of extracts, scenes, and/or clips.

  • The genre, period, style, form or production chosen as a focus for study for Area 2 cannot be any of the three options prescribed for Area 1.
  • Texts prescribed for study in any other Leaving Certificate subject in the year in which students will be assessed in Leaving Certificate Drama, Film and Theatre Studies cannot be selected for further exploration in Area 1 or as a focus for exploration in Area 2.
  • Any engagement in Transition Year with the above prescribed areas should be in accordance with the Department’s published guidelines on the content of the Transition Year programme.

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